Vartan Arakelian, left, and Arno Melkonyan

By Florence Avakian

NEW YORK — On March 9, the 40th Musical Armenia Concert with two very young and remarkably talented artists, pianist Vartan Arakelian and pianist/composer Arno Melkonyan, graced the Carnegie Hall stage.

Musical Armenia, a celebratory event established by the Eastern Prelacy in 1982 by Archbishop Mesrob Ashjian, was only interrupted during the Covid lockdown. It has drawn large music loving crowds throughout New York and nearby metropolitan areas.

“Music has no borders,” wrote the Prelate of the Eastern Prelacy, Archbishop Anoushavan Tanielian, in a preface to the program booklet. “Perhaps more than any other form of artistic creation, it immediately and quintessentially becomes part of the universal heritage.”

Following words of welcome by Musical Armenia Committee member Levon Tatevossian to the large crowd, 17-year-old Arakelian strode confidently onto the stage and took his seat at the Steinway grand, pausing thoughtfully for a minute, and started his program.

He opened with Bach’s Partita No. 2 in C minor, an intricately-fingered dark piece demanding exceptional dexterity which the young performer demonstrated with great understanding.

Get the Mirror in your inbox:

Beethoven’s Sonata No.4 in E-flat major featuring spacious melodies followed, and concluded in a dramatic climax, to which Arakelian gave full splendor.

Chopin’s Nocturne in C Minor has been hailed by critics as “musical poetry,” Archbishop Anoushavan has written. Starting slow and meditatively, with soulful melodies, and chords, it builds to a powerful climax, which elicited lengthy applause from the audience.

Schumann’s Novelletten, a set of eight pieces for solo piano, reflecting the composer’s keyboard style, demonstrated the young pianist’s accomplishment and keyboard mastery.

Arakelian concluded his program with Arno Babadjanian’s Six Pictures for Piano, showing his prowess not only for the classical genre, but also for his Armenian emotion and ancestry.

Babadjanian (also spelled Babajanian), one of the most prolific and beloved composers of Armenia, has won the hearts of not only Armenians, but also music lovers worldwide. And Arakelian gave this work the flavor it deserved. His pianistic mastery resulted in a lengthy standing ovation.

Arno Melkonyan

Armenian Musical Inventions

Following the intermission, 21-year-old Arno Melkonyan presented a creative program dedicated to his homeland and began his pianistic and compositional mastery with Babadjanian’s Prelude, a folk-inspired piece demonstrating the brilliant style of Rachmaninoff and Khachaturian, truly a tribute to his Armenian people.

Melkonyan’s Wedding Song began with quiet thoughtfulness and built to joyous celebration. It was accompanied with talented Iranian-born Alireza Khodayari on the tar who evoked soulful Armenian feelings in his talented understanding of the music.

Melkonyan’s Patriotic Rhapsody paid tribute to his mother who “used to sing it in our Armenian church,” he wrote. The piece is “an exploration of my Armenian roots and patriotism.” With Melkonyan masterfully evoking his feelings on piano, he was accompanied on violin by Alisa Shin and on cello by Queralt Giralt.

String Quartet No. 1, receiving its first live performance, painted a feeling of sheer loneliness, even though one might be surrounded by many. It conveyed the feeling of solitude, which Melkonyan experienced during his first year of college in the United States. Through many meaningful connections, it concluded with a dash of optimism. Two violinists, Alisa Shin and Analuna Chahine, violist Minjun Seo and cellist Queralt Giralt accompanied the pianist.

The final composition was In Memory of Artsakh. Melkonyan dedicated the piece to its courageous people, the 120,000 forced out of their beloved homeland, “to what once was and hopefully will be again.” The first movement, Vardavar in Stepanakert, evoked his earliest memories when as a 9-year old he visited Artsakh (Nagorno-Karabakh) with his father.

In part two of this profound piece, Elegy for the Fallen, depicted the war and described his grief during the exodus, and as a Diaspora Armenian, his feelings of grief. The final, Hope of Rebirth, was a “show of light in the darkness, a sunrise after the long night, symbolizing the spirit of resilience and the profound hope that Artsakh will rise again.”

As the highly emotional music ended, the crowd instantly rose to their feet, some visibly in tears, giving the masterful composer and pianist a very lengthy and loud ovation, lasting several minutes.

As the two artists with the accompanying instrumentalists came onto the stage, Musical Armenia Committee members Levon Tatevossian and Annita Nerses presented beautiful bouquets to each of the performers. The loud applause continued for several more minutes, ending an afternoon of soulful and deeply moving musicality.

Following the outstanding concert, Tanielian hosted a reception at the Prelacy headquarters.

Vartan Arakelian

A Promising Future

Arakelian started his studies on the piano at the age of 4 and continued with master classes. His achievements include an award at the 2025 National Young Arts Competition. He was also the second-place winner of the 2024-2025 of the Boston Symphony Orchestra’s Concerto Competition. The young artist won second place at the 2023 Chopin International Piano Competition in Connecticut, at age 15.

His honors have also included finalist at the 2023 Boston Pops Fidelity Investments Young Artists Competition, first prize at the 2022 New England Teachers Association Mildred Frieberg Competition, and prize winner at the Back Bay Music Contest and at the Paderewski International Competition.

On many occasions Arakelian has performed at Carnegie’s Weill Recital Hall. In Boston, where he is a high school student, he has performed with friends in senior centers. For the Music for Food organization, Vartan established student concerts to raise awareness about food insecurity and fight hunger in local communities. Every year, he performs in the New England Piano Teachers’ Association’s  Music for Hope charity recital.

Melkonyan, who is not only a pianist and composer, but also a guitarist, started his musical journey at age 9 at the Yerevan Music School. Internationally adept, he has lived with his family in the Middle East and Southeast Asia, while attending high school.

In 2023, Melkonyan started his B.A. degree in music composition at the Berklee College of Music. At Berklee, he is the treasurer of the College Society of Composers. He has combined influences from the Romantic era, jazz fusion themes, and his deeply ingrained Armenian folk and religious chant traditions.

The Musical Armenia Committee included Julie Kedersha, Sophie Khachatryan, Annita Nerses, Varsenne Sarkissian, and Levon Tatevossian. The art direction and design were by Gregory Dosttur.

 

Get the Mirror-Spectator Weekly in your inbox: